.....-----...-- EDUCATION |
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2004 |
PhD. Candidate |
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1996 |
M.P.S., Interactive
Telecommunications. |
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Received degree with Summa Cum Laude Distinction | |||
1993 | M.A.,
Cognitive Psychology. Bar-Ilan University, Ramat Gan, Israel. |
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Received degree with Summa Cum Laude Distinction | |||
1989 | B.A.,
Psychology. Minor: Sociology. Specialized in Cognitive
Psychology. Bar-Ilan University, Ramat Gan, Israel. |
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Received degree with Cum Laude Distinction | |||
1980 - 1981 | Computer
Science Major. Worcester Polytechnic Institute, Worcester, Ma. |
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Completed second and third year courses in Computer Science (including LISP and Human-Computer Interaction). | ||
Studies interrupted at the end of the first year due to mandatory army service in Israel. | |||
....--...-.-.-.-.-..-..-.--.- TEACHING EXPERIENCE |
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1999 - Present |
Lecturer
in Digital Media |
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- The Department of Industrial Design, Bezalel Academy of the Arts, Jerusalem, Israel | |||
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- The School of Engineering and Computer Science, The Hebrew University Jerusalem |
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The College for Technology, Tel-Aviv, Israel and The Department of Visual
Design, Wizzo School of Design, Haifa, Israel |
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1996 - 1999 | Lecturer The Interdisciplinary Center Herzliya, Herzliya, Israel Developed and taught a series of courses in Digital Media and Computer Science: Courses for the Digital Media Program: |
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Courses for the School of Computer Science: | |||
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1996, 1998 | Adjunct
Professor The Interactive Telecommunications Program, Tisch School of the Arts, New York University, New York, NY. Developed and taught a graduate level course: |
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1980 - 1981 | Teaching
Assistant Worcester Polytechnic Institute, Worcester, MA. Teaching assistant for a first year course in the Fortran computer language (WATFIV dialect). |
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--...--..-.-..-.-...-..- WORK EXPERIENCE |
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2005 - Present | VP Product & User Experience. TriPlay Inc, Shfayim, Israel |
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A leading player in the area of cross network and cross device "Super-Messaging" | |||
2001 - Present | Information
Technology Consultant |
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For various clients, Including: | |||
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1999 - 2001 | Co-Founder
and VP User Experience. Earthnoise Inc, Tel-Aviv, Israel (co-funding by AOL) Co-founder of Earthnoise Inc, an Internet Video Application Service Provider |
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1996 - 1999 | Program
Director. The Interdisciplinary Center Herzliya, Herzliya, Israel Director of the Digital Media Program, a two-year master's level program in Digital media. |
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1996 - 1999 | User
Interface Researcher The Interdisciplinary Center Herzliya, Herzliya, Israel Chief researcher in charge of a three-year funded study in Man-Machine Interaction. |
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1994 - 1998 | Multimedia
Producer For different clients, including, |
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1994 - 1996 | Technical
Director The Jessica Helfand Studio. New York, NY. Senior Associate in charge of multimedia production. |
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1994 - 1995 | Interface
Designer and Assistant Producer. The Voyager Company, New York. |
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1993 - 1994 | World
Wide Web Project Leader The Hippocrates Projects, New York University Medical School |
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1991 - Present | Behavioral
Science Officer. Israel Air Force, Training Division, (Reserve duty). |
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1991 - 1993 | Research
Assistant and Instructor. Bar-Ilan University, Ramat-Gan, Israel. |
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1985 - 1987 | Scitex
Intern. Scitex Corporation Ltd, Research and Development Department, Herzlia, Israel Participated in developing interactive systems for the printing and publishing Industries. Responsibilities included |
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1982 - 1991 | Air
Traffic Controller Israel Air Force, Part of Mandatory National Service (Reserve Service 1985-1991) |
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Shift Leader in charge of operational and day-to-day responsibilities of a airport control tower. | |||
.....----.. AWARDS |
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1998 |
New Talent Pavilion Selection, Milia D'or, Cannes, France, for "Point of View", a student project under my supervision (Students: Guy Vardi and Roni Shaleev). | ||
1997 | Pulitzer Nomination, for Bosnia web site designed and produced for the New York Times (with Fred Ritchin and Gilles Peres). | ||
1997 | Design Distinction Award, ID (International Design) Magazine, for Bosnia web site designed and produced for the New York Times (with Fred Ritchin and Gilles Peres). | ||
1996 | Award of Excellence in Information Design, Communication Arts Design Annual, for Discovery Channel Online web site. | ||
1996 | Interactive Media Pioneer Award, New York University. | ||
--.-..-.----.-.- PUBLICATIONS |
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Dekel, A., Yavne, G., Ben-Tov, E., Roschak, J. (2007). |
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Jaffe, E., Dayan, A., Dekel, A. (2007) |
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Dekel, A. (2006) |
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Dekel, A., Simon, Y.,
Dar, Y., Tarazi, E., Rabinowitz, O., Sterman, Y. (2005) |
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Dekel, A., (2005) |
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Dekel,
A., Knoller, N., Ben-Arie, U. (2003) One Measure of Happiness: A Dynamically Updated Interactive Video Narrative using Gestures [pdf] Interact 2003: IFIP TC13 International Conference on Human Computer Interaction , p 1011-1013 |
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Dekel,
A, and Bergman, O. (2000) Synopsus: A Personal Summary Tool for Video. ACM-CHI2000: Conference on Human factors in Computing System, p 4-6, ACM Press. |
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Algom,
D., Dekel, A., Pansky, A. (1996). The Perception of Number from the Separability of the Stimulus: The Stroop Effect Revisited. Memory & Cognition, 24 (5), 557-572 |
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Dekel,
A. (1994). TheOpeningScreenŠ2.2 A multimedia critique of interface design, In Director Demystified, Peachpit Press, New York. |
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Algom,
D., Dekel, A., Pansky, A. (1993).
On the Perception of Number, In A. Garriga-Trillo, P.R. Minon, Garcia-Gallego, C. Lubin, J.M. Merino, & A. Villarino (Eds.). Fechner Day '93. Palma de Mallorca: International Society for Psychophysics, pp. 1-6. |
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...-.---..-...-.. EXHIBITIONS |
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2006 | Containers With Merav Salomon. At "Nissui Kelim", The Itim Center for Art Tel-Aviv, Israel, June 29-July 2 2006. |
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2006 | Device 0.2 With David Opp, Day-Dream. At "Nissui Kelim", The Itim Center for Art Tel-Aviv, Israel, June 29-July 2 2006. |
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2005 | Place
de la bonne heure For Miri Segal, Dvir Gallery, Tel-Aviv, Israel, April-May 2005. [Development of the control system for the interactive Chair] |
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2005 | Normally
Open Normally Closed With Ezri Tarazi. Periscope Gallery, Tel-Aviv, Israel, January 2005. Reactive Furniture. Design and Concept Ezri Tarazi. Interactive Control System: Amnon Dekel |
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2003 | One
Measure of Happiness With Noam Knoller and Udi Ben-Arie, Interactive Experience Exhibition, Interact 2003, Zurich, Switzerland. A Dynamically Updated Interactive Video Narrative using Gestures |
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1998 | Maria
Magdalene. With Ran Hadari and Maya Zer. Group Exhibition, AKF, Goes, Holland. [THUMNAILS TBD] Hybrid digital/analog art piece linking the differernt theories of who the bibical character Maria Magdalene might have been. |
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1996 | Talk2Me:
Exploring conversational body art At the Interactive Telecommunications Program, NYU, NY Interactive body art driven by a phone conversation- viewer speaks to piece over phone - piece uses voice recognition to navigate through 45 minutes of video (on screen) and voice stories (over the phone). |
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1996 |
TheOpeningScreenŠ2.3.
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1995 | Machina
Religina: The computer as religious artifact. With Mairav Salomon. In Cage: Art in the Digital Age. Group Exhibition. Pulse Art Gallery, New York, NY. Interactive installation art - "Portable" prayer box, including confessional chamber, candles, matches and volume knob. Interaction is driven by light levels in box (via number and timing of candles lit) and stochastic algorythms. Critique of the modern cumpulsion to see computers and technology as replacements for inner needs and desires. |
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1995 | Focus
002: ComputoPersonal Space At the Interactive Telecommunications Program, NYU, NY Exploration of digital media as space for personal expression. |
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1995 | GenderPaint3.0:
Hidden Gender Bias Analysis While Painting
At the Interactive Telecommunications Program, NYU, NY Paint program that includes hidden automatic (simplistic) semiotic analysis of gender relations in the painting. Results are revealed to user after painting is saved. |
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1994 | SpaceŠTime:
Exploring Dynamically Self-Generating Video Documentaries At the Interactive Telecommunications Program, NYU, NY [THUMNAILS TBD] 45 miniute interactive video installation documentary exploring four concepts (Cyberspace, Hybrispace, Interspace, Intraspace). During view, viewers can add their own comments which are recorded and become part and parcel of the piece for future viewers. |
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